August Pastel Workshop at Gibsons School of the Arts!

I am delighted to announce that I have been asked to deliver a four day Introduction to Pastels workshop at the well-known Gibsons School of the Arts this coming summer, from August 1-4.

This four-day workshop will introduce students to the brilliance and possibilities of soft (“chalk”) pastels. Students will complete 2-3 landscape paintings and go home with a starter set of high-quality pastels and a workbook by the instructor. Additionally, they will learn the 5 critical elements of design, and how to apply these to painting in any medium.

By the conclusion of the workshop, students will be able to

1) trace the history of soft pastels as a fine art medium;

2) identify the supplies required to complete successful pastel paintings;

3) apply the elements of Concept, Composition, Contrast, Colour, and Clarity to the creation of pastel paintings;

4) create pastel paintings that make use of a variety of underpainting techniques;

5) describe the proper handling and framing of finished works in soft pastel;

6) identify sources of further learning related to this unique medium.

Registration is limited and is filling up—go to http://gibsonsartschool.net/register.html to register by Feb 28th and get the early-bird rate of $500 (on March 1, it goes up to $550). There is an additional $100 materials fee payable at the time of the workshop, which covers all art supplies for the session and provides a starter set of pastels and an instructional workbook to support your further studies.

As my studio lesson schedule is currently full, this is your best chance of learning about this medium in a concentrated time frame, with a reasonable initial outlay for supplies. Hope to see you there!

Adjustments

Sometimes you suddenly see an older work with fresh eyes. I was showing this painting (Facing the Light: Tashina 3) to a visitor and a comment he made stayed with me. I’d always felt slightly uncomfortable with the angle of my model’s front shoulder, and after this feedback, I decided to go back and fix the issue. The original pose was itself a bit awkward, making Tashina’s forward shoulder look strange. So—when you can’t fix it, hide it! By repainting the jacket and adjusting a few other small things, I think I’ve improved the piece greatly! Maybe she’ll find a new home sometime soon.

Facing the Light: Tashina 3 oil on canvas on board 18 x 18 $800 framed

Thanks Crawlers!

Well, you did it again—you braved rain and cyclone force winds to come out to appreciate art! What a great community. I am very pleased with the sale of my books during the weekend—36 copies went out the door to eager readers!—and especially touched that this painting of a favourite spot in New Zealand went to an authentic Kiwi now living right here in Halfmoon Bay. Thanks James and Jenny—I hope you have many years of pleasure from your purchase!



Crawlin' in the Rain

It seems as if it happens every year—our Art Crawl weekend is awash in steady rain! After the summer drought, however, we cannot complain—our forests badly need this deep drink.

So—it won’t be a weekend for boating or hiking—come on out to my studio instead, enjoy a hot drink (and maybe a little Hallowe’en treat!), sit back, and enjoy gazing at my new paintings. I’ll also have all three of my novels on hand and will be delighted to sign them for you! I’ve even got copies of a new children’s book I was asked to illustrate!

Friday, Saturday, and Sunday, 10 am to 5 pm.

See you soon!

In a Quiet Season, pastel, $695

I’ve been revising older works—here’s an acrylic that had promise but felt a little too brash…so I unframed it and painted over it in oil…

…and created First Snow in the Maple Woods (oil) $1200. Come see what you think!

Getting ready for Art Crawl 2021

It’s that time again—I’m in the studio, creating new works for this year’s Art Crawl. (Oct 22-24). Yes, there will still be Covid protocols, but we managed last year and will do so again.

Here’s the first new work for this year, a 36 x 36 oil titled Mist in the Valley ($1500, framed). It’s based on a photo I took in 2019 in New Zealand. Frank and I got up at about 4 am to catch the sunrise over this magnificent valley near Hastings (North Island). The low-lying mist was an unexpected bonus added to an already stunning vista.

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